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Friday, July 8, 2011

"Bol", the ultimate triumph of mediocrity

One of the highly anticipated film of Pakistan to wait long, "Bol" is not to Shoaib Mansoor depicts technical excellence or artistic production of his film before, "Khuda Kay Leay, because instead of careful planning and marketing by a group of private media, the largest and most views shrewd maker in the country. Besides, for many years how the feature films made locally and are being launched in Pakistan? is not surprising because of the low number of productions and youd in every film of Pakistan do not get our attention these days and disproportionate "Bol" is no
exception.

It is written, "Bol", produced and directed by Shoaib Mansoor and also in such a film in many respects is a one-man show as far as it gets really hard to separate the product from the manufacturer. For some of us former reflects the full history of the latter.

Shoaib Mansoor or Schumann as he likes reportedly to call himself condemns the emergence of his career and fame to opportunities for cross from the days of the repressive Zia Marshal during the early 80s, when the dictator was slowly and cat gradually to the film industry of Pakistan through the development of ever increasing restrictions imposed on the system ostensibly to maintain the values Islamic products in the field of entertainment and national.

Zia wanted the entire nation to become a captive audience for his tunnel vision of entertainment too restrictive. It was also difficult for the dictator to be a source of inspiration to him against Saudi Arabia, the group explained, and the vision of reaction, it follows through strict controls bustling film industry, especially with the many individuals and institutions to players from the directors, producers and performers, and the owners of the studio, and other so distributors dictator's cunning deliberately destroyed the entire industry, leaving thousands unemployed unabated in the wake of anti-state policies.

Youd have stalled and, as expected under 11 years Zia ongoing repression, and repression of the dictator planned to be carried out carefully through the appointment of ideologues of the Islamic group in the movie Sgt strategic locations in the Council and others. The machinations of the results were disastrous for Zia and youd also in pre-partition era infrastructure collapsed and the industry has not fully recovered from ever since. In fact, in one of the moments of weakness Zia publicly lamented the failure of what the Pakistani film industry for the production of the film convincingly on the issue of Kashmir. Sons, as if there's an industry, then left.

The plan Zia retrogressive for entertainment products some of the consequences as intended public, already a state-owned Pakistan Television (PTV) for the entertainment needs of any private channels were present at the time, but like any social experience alien to the flawed plan has consequences can not be predicted by many, as well as . Appeared and one of the unintended consequences more evident than the consumer goods of the Japanese machines are made, and video recorders, which brought the banned Indian films Pakistan in every home as an alternative source of entertainment, thereby enhancing the original values ​​themselves against idolatry, which was the dictator's declaration of jihad culture.

This was the background or rather leisure and entertainment in the tradition that Shoaib Mansoor and light-hearted Saturday Night Live "Fifty Fifty" caught fantasy entertainment deprive the nation, turning it into a national celebrity overnight. Abdul Hameed Shoman of the state-funded productions and competitive products, low grade would be an understatement and the competition has a group and then of dementia Ashfaq Ahmed ideological boring in the form of Lahore Studios 'drama of large expensive to play Naseem Hijazi, a historical novel based on such' Aakhri Chatan, "and the" Shaheen "Some people think error to be those times the golden age of television, quoting We have shown before, such as "Iris," The fact is appreciated by people who show anything else as it is available for entertainment in the era of darkness, and noted many of the banned either creative minds in Pakistan, or fled the country.

This is not everything, as is the case in those days, a product state television paid like Mansour and not subject to accountability and to its audience as it was the dictator of his homeland because there are no assessments, competition No, no other channels to move to alternatives, or a form of entertainment, etc. The Schumann profession gloss on what seems to emerge from this environment, incomplete and vague non-responsive and that in the process of building a bloated ego with the mantle of what can safely be described as pseudo-rationality.

For some of us, "Bol" reflects the boldness of some of these facts about the creator and chief hangman. They were talking about a feature in itself, and the songs did not strike a chord with the nation despite the fact that the best money can buy, such as Islam Atef, chose the park Kayani, the imaging, and no doubt much better than the average respect for the teleplay film was not only teleplay directed with a few songs, has lagged far behind the average of Bollywood productions, and competition, "Bol" is supposed to silver screens.

The owner Humaima in performance away from being able to lead competent to deal with all the requirements of enormous character called oppressed. Hope for, that in the battle of Atif Aslam in the representation must be convinced to refrain from its work in the future. It seems as if it were given the power to cast a movie star in the Indian market and its role did not provide any margin of performance.

Not everything, though, was bad with the 'Bol' as Creative Sahbai performance of the main hero of the story as it was natural and convincing in his role as a complex but realistic one can be. Iman Ali was definitely saving grace also appeared to be very convenient in all the sights and Lollywood veteran Shafqat Cheema likewise has matured to the screen at the end of a very competent artist.

The story revolves around a descendant of nobility struggling financially in the past in Delhi to Lahore today, burdened with a series of unfortunate events, some of the Stokes Nature, and other just by itself make the consequences of natural instead of the value system so worn it religiously adhered to. Hakim was a complex personality as it was in the same time an example of misogyny and chauvinism, religious conservatism, honesty, the secretariat and financial principles and opportunitism. Obsessed with form versus substance, had a letter from the wise to find more resonance in the Indian market compared to the masses of Pakistan. Mansour must, however, access to credit for creating such a complex character and then returned to life through the identification of landscape Sahbai to run it.

Selection of ancient languages ​​in Lahore, especially the internal crumbling just like the value system crumbling of the wise is wise and appropriate and the degree of musical contributed certainly in the hunt for elements of the tale, but Mansour, showed lack of technical competence in several of interest to cruelty, if not explicit in dealing with the sensitive subject of rape mass of a minor child of the third gender, the story and the only realistic scenario arbitrator took a nose dive at this juncture in the plot.

Should have been a film of depression and anxiety to some extent in the category of adults only for the processing of crude oil a bit, and delivery of some of its themes.

Acts of Bol to do in Pakistan, and is expected to do in other parts of the world on the strength of the Pakistani expatriates is a testament to the dominance of mediocrity in the field of cultural and entertainment as mediocrity in Pakistan is dominant in every other field of human activity.

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